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Simone Martini
Madonna with Child and Saints
mk83
c.1320
Tempera on wood
center panel
192x64cm
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Simone Martini
Maesta
mk86
1315/16
Fresco
10.58x9.77
Siena,Palazzo Pubblico.
Museo Civico
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Simone Martini
St Martin is dubbed a Knight,between 1317 and 1319
mk86
Fresco
265x200cm
Assisi,San Franceso
Lower Church
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Simone Martini
Guidoriccio da Fogliano
mk86
c.1328
Fresco
340x968cm
Siena Palazzo Pubbico
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Simone Martini
The Road to Calvary
mk86
c.1315
Tempera on wood
29.5x20.5cm
Paris,Musee National du Louvre
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Simone Martini
The Deposition
mk86
Tempera on wood
29.7x20.5cm
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Simone Martini
Madonna of the Annunciation
mk91
Wing of a diptych.
Second half
1330s
Tempera on panel
30.5x21.5
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Simone Martini
Sienese School
mk156
1317
Fresco
Palazo Pubblico
San Gimignano
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Simone Martini
Equestrian Portrait of Guidoricco da Fogliano
mk156
1328-30
Fresco
340x968cm
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Simone Martini
The Madonna From the Annunciation
mk159
Tempera on panel
30.5x21.5cm
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Simone Martini
Annuciation
mk164
1333
Uffizi
Florence
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Simone Martini
Her Madona of the Sign
mk166
tempera 30.5x21.5cm Museo of the Hermitage San Petersburgo
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Simone Martini
La Anunciacion,Con los Santos Ansano y Margarina y Cuatro profesar
mk166
1333
Temperamento sobriedad tribunal de madera 184x114cm
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Simone Martini
Madona de la Misericordia
mk166
Siglo XIII,
Pinacoteca,Siena,Italia
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Simone Martini
Lodewijk of Toulouse Crowns Robert of Anjou, King of Napels
MK169
1317 Panel 200x138cm Predella 50x174.6cm
Museu Tue Capodimonte, Napels
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Simone Martini
The Virgin of the Annunciation
1333
Tempera on wood,
30,5 x 21,5 cm
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Simone Martini
Museums national scenes out of life the Hl. Bertim
mk186
1459 Berlin foundation, Gemaldegalerie
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Simone Martini
Christ Discovered in the Temple
mk216
The 14th-century Sienese school reached its zenith in the work of Simone Martini
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Simone Martini
and Madonna of Humility
1341
Fresco Notre-Dame-des-Doms
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Simone Martini
Saviour Blessing and Madonna of Humility
1341
Third synopias Palace of Popes
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| Simone Martini
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1283-1344
Italian
Simone Martini Locations
He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. His brother-in-law was the artist Lippo Memmi. Very little documentation survives regarding Simone's life, and many attributions are debated by art historians. Simone Martini died while in the service of the Papal court at Avignon in 1344.
Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maest?? of 1315 in the Palazzo Pubblico in Siena. A copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simone's prototypes would have on other artists throughout the fourteenth century. Perpetuating the Sienese tradition, Simone's style contrasted with the sobriety and monumentality of Florentine art, and is noted for its soft, stylized, decorative features, sinuosity of line, and unsurpassed courtly elegance. Simone's art owes much to French manuscript illumination and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the Via Francigena, a main pilgrimage and trade route from Northern Europe to Rome.
Simone's major works include the Maest?? (1315) in the Palazzo Pubblico in Siena, St Louis of Toulouse Crowning the King at the Museo di Capodimonte in Naples (1317), the S. Caterina Polyptych in Pisa (1319) and the Annunciation and two Saints at the Uffizi in Florence (1333), as well as frescoes in the Chapel of St. Martin in the lower church of the Basilica of San Francesco d'Assisi. Francis Petrarch became friend with Simone while in Avignon, and two of his sonnets make reference to a portrait of Laura de Noves he supposedly painted for the poet.
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